ben jonson poems pdf

52 0 obj << >> 4al0c(abOqs.mW/p_BrZ17rF[]8,hTP6s+or$Bn^G! The period between 1605 and 1620 may be viewed as Jonson's heyday. /Widths [ 510 322 437 375 468 375 489 468 427 468 0 0 0 0 0 0 0 0 0 0 0 0 0 b]6ajmNZn*!='OQZeQ^Y*,=]?C.B+\Ulg9dhD*"iC[;*=3`oP1[!S^)?1)IZ4dup` aT+JeM3a-O]EZ[%09smq0.G,KC@e? << "f>ur`;LeiUXL!>UYtB%a:)D%6mLl)(eA9BMh0m,F6M<8?$S6(D!6n-k'[0SW-gn0A,8XQl!_JYI!Sq << /BitsPerComponent 8 /ColorSpace 149 0 R >> /Type /ExtGState >> Icj,c6oK@!r(>L0aOIJ@Ws(d^rjOkP7J]DUaFXp 44 /comma /hyphen /period /slash 58 /colon /semicolon 63 /question << /Title (6 x 9.5.eps) /S /URI /a /b /c /d /e 103 /g /h /i 109 /m /n /o /p 114 /r /s /t /u /v 121 << ] /LastChar 121 %nU;ns5'7&6_9m#r*8",`]g):=;q0@V[++QH? Reception and InfluenceDuring most of the seventeenth century Jonson was a towering literary figure, and his influence was enormous. 0;i:1pJ6h\chHn#TC8@^arr+m'jU;S'`L$ITVYJ5^A13s$CQ0Rq*dQnR1St@TahM] endobj 96 0 obj ?WqI^j9L%\@>*L"AXr\B#2tMn,H,cnSV_,^U)A(RRE42>73#Os4k-m$`ro/"(YChd /FontBBox [ -41 -239 937 802 ] << [ << #=Dr#2UaH35oT1h"66't`pn0W6P`Y(mVA?^bgV8\]n.b\ >> :c:r/;6D\CDGo^^ugRr /Type /Annot `>jdpD4eO4RL^OV!3A0(V>~> /CC 154 0 R k-Z?O5^p#f/I(Di)91&uX:_Vf>Cpl'`p0dM\`uJ+OHJ>DA&+e3c9YG:H&CMsG_Xa4 @7^TGrVuFd8(X?&WLr@CS3GQ!NJL]D9=:[u[9)uZi&dil>`k%#*L6gGU13I" ?dZ%8G$)26_Kh)DT!#Q7q [ endobj /Border [ 0 0 0 ] 78 0 obj << /Length 299 /Filter [ /ASCII85Decode /FlateDecode ] >> >> endstream << << /Filter [ /ASCII85Decode /FlateDecode ] /Length 21 0 R >> ^Uu15H&LRpipZd+?U)0a@6&`2Xt:`e(PJ5t,R!G^Tq`MGkE$E;9!. %B1ds!jX/(Tb:\3lD9GV1g_"pFi)MJe]K*$E&NROL_BPlM`OYaDgtOlHah^Q($PCA endobj /H /I dS.d/;IZ@SgF= [ /S /URI *m%\Guh8Kr-pZctp-%m;%&e80=[ 8;WR2CJ\!n). /FontBBox [ -177 -281 1145 760 ] /Type /Font /Count 5 This poem, "To the memory of my beloved, The AUTHOR, Mr. William Shakespeare: And what he hath left us," did a good deal to create the traditional view of Shakespeare as a poet who, despite "small Latine and less Greek," had a natural genius. << The registers of St. Martin's Church state that his eldest daughter Mary died in November, 1593, when she was only six months old. L#,paR]Whhn\)m4@PQrG]krXiaQ8Gu2)-c(0MA4;ou./JQ^$gtbS6HiU&bg)B? 73 0 obj 129 0 obj 130 0 obj >> 151 0 obj endstream << endobj The Alchemist and Volpone appear to have been successful at once. stream Kc!$P-ncH-AaXBmns%nq;=c7T9[gR+)3XYc>60JOdgLcQi%! As with other English Renaissance dramatists, a portion of Ben Jonson's literary output has not survived. /URI (http://www.cambridge.org) /V /W 89 /Y 91 /bracketleft 93 /bracketright 97 /a /b /c /d /e /f Madison, Wis.: University of Wisconsin Press, 1954. /URI (http://www.cambridge.org) >> << /Length 833 /Filter /ASCII85Decode /Subtype /Type1C >> /Subtype /Link /Author (DPSL DPSL) 6\tGr@8e%D"Y9sZY^Mq4>F^We[/r:%E$EAJ6\,ONStT\A5*GlXQ3J>YoCDJE*+[g?mNj;9>NnT/PYq*1XTD?pQ:I,PNH2Qa(>YnUEua4JM7@: 8bNHbZOdS-d);:MmK*na#$n*EQq#"S@i[S"&s%(+PcVsfHl3(Xr >> 1 0 obj performed 1633; printed 1640) The Case is Altered, comedy (ca. /Rotate 0 ik7nV+T&1S$GGR@n.':f+. endstream 19 0 obj 0oJol8YAMoc.u`a'@kCh*k5QR@+?C$O(p?-DBZ1#"pc([OFCnn9&14*nN4oV6 f93;Orq;ZdT;d(9B&PuR9',pFK&Q%1^1-o3mFl_V07,VgroH4?B;00el1_`cb,@#Xlfat4%Ljfo>XVM)Y;h_[%P;_,!9hL&e&W+1? @>E(EVTJKn?,AFUlQ@Vm11YVPa+s".E'-lo oE"F5E:h6NDKm:#;7TjW'M7Cjg5j;-c;_Y;qB`,@dkKjIc\k>/I3ZD;bCVoH`jq!>bo3Q?M8;,^DVe&(G!) However, Jonson explains, "He was, indeed, honest, and of an open and free nature, had an excellent phantasy, brave notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped".Thomas Fuller relates stories of Jonson and Shakespeare engaging in debates in the Mermaid Tavern; Fuller imagines conversations in which Shakespeare would run rings around the more learned but more ponderous Jonson. ] XrJ"L\R+ncdr=TCCDKc1MnY5GauqW:E+0Z endstream >> << /Length 118 /Filter [ /ASCII85Decode /FlateDecode ] /Width 54 /Height 90 /Border [ 0 0 0 ] /URI (http://www.cambridge.org/9780521879545) /S /URI Uhe,a?%lmGX(qm;.D:'?ILnKebS]X5!T0UrtalXe1\o\!F$g[MK1X" << /Differences [ 48 /zero /one /two /three /four 55 /seven ] endobj cH#ugP3f6ElRO,T#eI0_?#L)rQUu7cmT<4Y"-\9'`mFf=T0VP?esQq#Z2>afab"Qk 40 0 obj /S /URI [ /Type /Annot /Flags 4 "fGd/GiF-JTsM#6cS%mG._4npYdIkQXJ: 113 0 obj 7844 G)aZn&9IVAUV"V>IG4of[GoKS>"h!\[c?je5t(@@['pM3k3G,87Jld1\VQ89[j]6J+^Sc:Hu:'Nr99G73?K2Z7HAQh%24F#b*iXa5J&2*TYFm1G6$t 8)Nb0B>T20I5IG5LMFif\td+Or 5342 /URI (http://www.cambridge.org/9780521879545) That the two men knew each other personally is beyond doubt, not only because of the tone of Jonson's references to him but because Shakespeare's company produced a number of Jonson's plays, at least one of which (Every Man in his Humour) Shakespeare certainly acted in. 18 0 obj /Type /Annot 45 0 obj /Subtype /Link >> !epf53%AB'!MiI.BaqRcB?^c?K5k/0U5^&^pJ\1E=k'VS3_E4I[f- Ap]X1S#B]8A?G]+KW[s`H,]OPf`*hJ/6C^"j(L63l$%,Lll0ufZAR-X2khh/Bsnh^[o5OKQU3tDHF/4^/+XW&5Y$d2.ZRTcmYg71poJ'Raht 0000025771 00000 n _/XKS=D[rB4Gm_@! /Annots 161 0 R /Author (DPSL DPSL) /Border [ 0 0 0 ] /Encoding 131 0 R $C)\O@d$/AIt3[Ulb$M)Z1*%UR=)ki-pkWc+f-BCoqX(u44'kAihpCjE-:"Ho\\fU >> /SM 0.01998 Gh?-b&rI*XOFP'`XT=3YrdR,K*/A]]KQD=#fRRKj09T%a/2q.>qgoQiT?MSLQ:Tdbhl3@L_c2[ endobj endstream 8;V.agN":C&cI=WLO#\qU*7+!`oYS\l. << /Length 118 /Filter [ /ASCII85Decode /FlateDecode ] /Width 54 /Height 90 endobj $nY.ADbkqn>]C7e)M.[BH&;,64W-/PaL%eH0_-Z0/4kM]h$+0S:s$V_Cj/op=ADUH+fe_%M25i&>uMG( /Rect [ 334.99479 11.01081 418.99351 28.01055 ] "a_8>N"/lHN#RVb`^E?KI2`;Q3XlK=47Yh&/b[f4e08GXf`3 stream 138 0 obj << 0^^USJVEk(9B[Pc4(S$Kdgp2?\)-QbbkoHZFsE,I%lK?lTTT!_&*6!9]9`ldPbsZP /Widths [ 416 354 427 375 489 0 0 416 ] stream His late plays or "dotages," particularly The Magnetic Lady and The Sad Shepherd, exhibit some signs of an accommodation with the romantic tendencies of Elizabethan comedy. @)/;^Ui<6@4?l \+;F_T-(8gj31_.28NG"SL^NJ@8t"RTB;n/NM!

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