5 of 1927, Based on the play Miss Julie by August Strindberg, Presented by The Baxter Theatre Centre at the University of Cape Town, Tandiwe Nofirst Lungisa as Ancestor / Singer / Musician, Music performed by: Brydon Bolton and Mark Fransman. Kristine remarks that Julie has always been crazy but has gotten worse since breaking off her engagement with her fiance. Farber has concocted an electric piece of theatre. MIES JULIE is a text and theatre experience committed to articulating the fears, desires, resentments and possibilities of a country haunted by its past. A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality study guides that feature detailed chapter summaries and analysis … The Karoo is a semi-desert region in South Africa of bleak and deeply affecting beauty. “SparkNote on Miss Julie.” SparkNotes.com. Generates a serious erotic threat. Tim Cornwell, THE SCOTSMAN | Read more... Mies Julie is the jewel of Assembly's glittering South African Season this year. Produced by Cape Town's Baxter Theatre, it thrums with menace and passion. A sensational new version. THE DEGENERATE WOMAN. Cronje is simply astonishing. Publications and books about Christian Divine Feminine and Pilgrimage; The Divine Feminine: Recovering the Feminine Face of God Throughout the World - … With its dense dryness ; sudden, rare, fragrant and violent storms ; consistently devastating poverty of its black inhabitants, and “smallness” of social life eeked out beneath vast, overwhelmingly beautiful skies – the Karoo remains (despite South Africa’s 18 years of democracy - a bastion of enduring socio-political conservatism. Gets you watching as if your life depended on it. It's a pitch-perfect repositioning of the action from adaptor/director Yael Farber. Into the whole volatile brew are thrown all the explosive, unresolved legacies of the apartheid era: race, power, land restitution and ancestral rights. In a contemporary reworking of August Strindberg’s classic Miss Julie, Yaël Farber has transposed this 1888 parable of class and gender to a remote, bleak farm in modern day South Africa’s Cape Karoo semi-desert. One of the most galvanising your likely to see for a long time. Transposed from late 19th century Sweden to the vast, flat plains of 21st century South Africa –August Strindberg’s original text of MISS JULIE (once so shattering in its time) is reconceived and rewritten here to address the rising subtext of South Africa. SparkNotes Editors. He further says that she is wild as her engagement is broken because of her indecent treatment to her fiancé. Erotic, intense and with an almost unbearable climax. Adding race and land rights to Strindberg's sex and class war improves on the original and packs such a punch, you wonder why it hasn't been done before. Strindberg's play wasn't just dusted down - it had a fire lit under it. Themes. Mother, land, body. This Study Guide consists of approximately 50 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Miss Julie. A scintillating treat, a primal scream of a reworking of the Strindberg staple. Miss Julie opens with Jean, a valet, and Kristine, a cook, in the kitchen of the Count, their master. Hilda Cronjé and Bongile Mantsai are both outstanding. Features a heart-breaking performance by Hilda Cronje. Miss Julie Summary. Web. Definitely the best Miss Julie I've ever seen, and I've seen a few. Jean says she is crazy, dancing with the servants at a Midsummer's Eve celebration when she should be visiting relatives with her father. MORE INFO ↓ MIES JULIE Adapted from August Strindberg’s Miss Julie Written & Directed by Yaël Farber. In his preface to the play, Strindberg describes his heroine, Miss Julie, as a woman with a "weak and degenerate brain." As the fatally attracted, class-divided lovers, Hilda Cronje and Bongile Mantsai delivered the year's most erotically lacerating performances. Crackling sexual tension. This Study Guide consists of approximately 50 pages of chapter summaries, quotes, character analysis, themes, and more - There is more erotic heat generated by the play's two central characters, fiercely inhabited by Hilda Cronje and Bongile Mantsai, than in any production in town. This explosive new version tackles the deeper complexities of South African society head on, creating a newly menacing, torridly passionate, urgently relevant allegory for a post-apartheid state in profound transition. Lizzie Simon, WALL STREET JOURNAL | Read more... Mies Julie is contemporary, relevant, shocking, intellectually challenging and just simply heart-rending. It's impossible to tear your eyes away. The two begin to talk about Miss Julie, the Count's daughter. It is a landscape that articulates the core dilemmas in a country struggling to redefine itself. And how do we ever address what is now so entrenched in our fragile economy? Alice Jones, THE INDEPENDENT | Read more... A devastating reinvention. This Strindberg play hasn't just been updated, it's been immortalised. Assembly Edinburgh Fringe – Edinburgh, Scotland 2017, Harbourfront World Stage – Toronto, Canada 2017, Théâtre des Bouffes du Nord – Paris, France 2016, Athens & Epidaurus Festival – Athens, Greece 2015, Bergen Arts Festival – Bergen, Norway 2015, Harbourfront Center – Toronto, Canada 2014, Perth International Arts Festival – Australia 2014, Shakespeare Theatre Co – Washington, USA 2013, Baxter Theatre Centre – Cape Town, South Africa 2013, Galway Arts Festival – Galway, Ireland 2013, Market Theatre – Johannesburg, South Africa 2013, St. Ann’s Warehouse – New York City, USA 2012, Assembly, Edinburgh Festival – Edinburgh, Scotland 2012, Baxter Theatre Centre – Cape Town, South Africa 2012, National Arts Festival – Grahamstown, South Africa 2012, The State Theatre – Pretoria, South Africa 2012, Since The Bantu Land Act No. In a contemporary reworking of August Strindberg’s classic Miss Julie, Yaël Farber has transposed this 1888 parable of class and gender to a remote, bleak farm in modern day South Africa’s Cape Karoo semi-desert. Having spent interminable months there each summer as a child, it’s a landscape that is seared into my soul. The violence and desire between mistress and servant has never been more furious, steaming or convincing. Veenen Plaas (“Weeping Farm”) is the fictitious homestead on which this story is told. Who owns the land? n.d.. Believe the hype. Frank Scheck, NEW YORK POST | Read more... CURTAIN RAISERS: DISPENSING WITH SYMBOLISM, It would be difficult to overstate the intensity of Mies Julie. everything you need to sharpen your knowledge of Miss Julie. Inspired. A bona fide hot ticket. Explore Course Hero's library of literature materials, including documents and Q&A pairs. Thanks for exploring this SuperSummary Plot Summary of “Miss Julie” by August Strindberg. Stunning performances - their achievement is one of breathtaking control and prowess. Against the pulsating, poignant backdrop of the annual Freedom Day celebrations, Xhosa farm labourer John and Mies Julie, the daughter of his white Afrikaans master, embark on a ruinous night, fuelled by drink, heat, generation-deep resentments and earthy, brutal, primal passion. Yael Farber brought a contemporary visceral urgency to a classic. The performances from Hilda Cronje and Bongile Mantsai are electrifying. This study guide for August Strindberg's Miss Julie offers summary and analysis on themes, symbols, and other literary devices found in the text. Jean reveals that he once saw Julie "training" her fiance as one would train a dog, making him jump over her riding crop and hitting him with it after each jump until he finally took the riding crop from her, struck her with it, and broke it into pieces. We welcome you into the heat of Veenen Plaas’s kitchen. Themes, Motifs, and Symbols. The effect is shattering to all who have witnessed this work. We hope its truths might speak to you not only of South Africa’s complexity – but the unaddressed ghosts of any nation waiting to be acknowledged. In the play,Jean comments on Julie's crazy behavior. SparkNotes LLC. She's also drawn to Jean, a footman who has traveled, speaks well, and doesn't kowtow. Music: Kulvip (Daniel & Matthew Pencer with Joseph Thibodeau). Miss Julie opens with Jean, a valet, and Kristine, a cook, in the kitchen of the Count, their master.
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